Lori works illegally in a rented flat in central London, living in fear of police raids which could mean losing her small daughter and her dream of a new life. Freya is a student who finds she can make far more money as an escort than she could in an office; life, after all, is already a tangle of madness and dissociation. And Paula is a journalist whose long-term campaign agai...(展开全部)

Mark Richards是一位造诣颇深的作者和会议演讲者，他是金融服务行业的实战型SOA和企业体系结构师。除了发表大量文章之外，他还是《Java Transaction Design Strategies》（C4Media）的作者，以及《97 Things Every Software Architect Should Know》（O’Reilly）和《No Fluff, Just Stuff Anthology Volumes 1 and 2》（Pragmatic Bookshelf）的丛集著者。他是消息传送机制、面向服务体系结构和事务管理领域的公认权威。Mark是NFJS软件研讨会（NFJS Software Symposium）系列的固定演讲者，并在世界各地的会议上发表演说。 Richard Monson-Haefel是《Enterprise...(展开全部)

“每个人内心都有某种魔力……” 十三岁生日那天，琪琪须决定是否要带着她的猫吉吉离开家，搬到一个没有女魔法师的小镇。她知道她须用她的魔法谋生，但琪琪不擅长药水或咒语…… 琪琪能学会控制她的魔法并在世界上走自己的路吗？ Puffin Clothbound Classics are stunning collectable hardback editions of some of the best-loved classics in the world - including this charming edition of Kiki's Delivery Service, which celebrates its 40th anniversary in 2025. 'Everyone has some type of magic inside them....(展开全部)

角野荣子，1935年出生于日本东京，早稻田大学教育学院英语文学系毕业，目前居住在神奈川县。曾在出版社工作，1960年前往巴西居住两年，回国后开始绘本和童话创作。著有《尼斯的女婿》《好想吃意大利面》《我的妈妈是阿静》《脑筋急转弯游戏》《花姐姐的客人》《裤子船长的故事》《大盗布拉布拉》《魔女宅急便》等。其中，《裤子船长的故事》获旺文社儿童文学奖，《大盗布拉布拉》获产经儿童出版文化奖大奖。本书获得IBBY优良作品文学作品奖、野间儿童文艺奖、1984年路傍之石文学奖。 林明子，1945年出生于东京，日本横滨国立大学教育学院美术系毕业，目前居住在长野县。曾从事杂志插画和地图绘制工作，创作《纸飞机》一书后，进入童书世界。在《第一次当跑腿》《我最喜欢妈妈了》《第一次露营》《纸陀螺，转啊转》《我会走了，直直地走》等绘本中大放异彩。

Mark Richards是一位造诣颇深的作者和会议演讲者，他是金融服务行业的实战型SOA和企业体系结构师。除了发表大量文章之外，他还是《Java Transaction Design Strategies》（C4Media）的作者，以及《97 Things Every Software Architect Should Know》（O’Reilly）和《No Fluff, Just Stuff Anthology Volumes 1 and 2》（Pragmatic Bookshelf）的丛集著者。他是消息传送机制、面向服务体系结构和事务管理领域的公认权威。Mark是NFJS软件研讨会（NFJS Software Symposium）系列的固定演讲者，并在世界各地的会议上发表演说。 Richard Monson-Haefel是《Enterprise...(展开全部)

Although microservices-based applications support DevOps and continuous delivery, they can also add to the complexity of testing and observability. The implementation of a service mesh architecture, however, allows you to secure, manage, and scale your microservices more efficiently. With the help of practical examples, this book demonstrates how to install, configure, and deploy an efficient service mesh for microservices in a Kubernetes environment.You'll get started with a hands-on introduction to the concepts of cloud-native application management and service mesh architecture, before learning how to build your own Kubernetes environment. While exploring later chapters, you'll get to grips with the three major service mesh providers: Istio, Linkerd, and Consul. You'll be able to identify their specific functionalities, from traffic management, security, and certificate authority through to sidecar injections and observability.By the end of this book, you will have developed the skills you need to effectively manage modern microservices-based applications.

時尚／LV；運動／Nike；電腦／IBM……，眼下我們生存的時代，品牌形象代表一切，連小學生也懂得要用名牌。要表現自己的專業、品味、社經地位，就要消費特定的產品，不管你是否真喜歡其品質。獲得消費者的品牌認同，就等於獲利的保證，於是新創的品牌虎視眈眈，欲取市場第一品牌之位而代之。至於沒有顯赫招牌的產品，往往價美物廉還是乏人問津。 知名品牌挾著雄厚的資本、強勢的行銷能力、全球運籌（global logistics）的經營觀念，令其產品席捲全世界。一種產品行銷全球，創造了後現代的國際風格，統一了世人的消費觀，卻斲傷了異文化的豐富性。全球性的公司聲稱要支持文化的多樣性，其實他們所謂的「多元文化主義」只是生產更多的產品，讓消費者有較多的購買選擇。 而在知名品牌風光行銷全球的背後，是許多不為人注意的勞工。他們其中的大多數人無法分享公司的鉅額利...(展开全部)

When David Shannon was only five years old, he wrote and illustrated a story in which an unruly little boy breaks all of his mother's rules -- he jumps on the beds; he chews with his mouth open; he plays ball in the house. Any child who is tired of hearing his parents say "No " will readily identify with this boldly illustrated, comical story.

Thich Nhat Hanh says: 'Our biggest fear is that we will become nothing when we die. If we think that we cease to exist when we die, we have not looked very deeply at ourselves.' With his usual blend of stories, exquisite analogies and guided meditations, Thich Nhat Hanh takes the reader through the same examination of death, fear and the nature of existence that Buddhist monks ...(展开全部)

史蒂芬·里瓦洛伊斯（Stéphane Levallois）法国艺术家。生于1970年，生活在巴黎。1988年，他进入佩尼昂高等艺术学院学习，曾师从著名设计大师诺曼·塞斯莱维兹（Roman Cieslewicz）。毕业后，史蒂芬·里瓦洛伊斯从事平面设计、标志设计和电影与摄影的海报的制作。他还在游戏公司Cryo担任艺术指导。史蒂芬·里瓦洛伊斯也是一名出色的电影故事板画手。他与很多导演合作过，诸如马克·卡罗（Marc Caro，）、简·库恩（Jan Kounen）、路易斯·莱特里尔（Louis Leterrier）、彼得·韦伯（Peter Weber）、王家卫等。此外，他还为法国著名设计师菲利普·斯塔克（Philippe Stark）、法国Dior首席设计师约翰·加里亚诺（John Galiano）、法国时尚摄影大师让·巴布提斯·蒙第诺（Jean Bapt...(展开全部)